旗袍大赛邀请函

❶ 赞旗袍秀的诗句

1、题旗袍秀

佳丽靓金枝，风采神玉秀。

织锦连衣袂，水袖映春秋。

满腹经纶卷，一身气质裘。

歌喉抒诗韵，弹指写风流。

作者桑山，原名张泽芳，男，汉族，祖籍湖南耒阳，现居新疆乌鲁木齐市，汉语言文学中文系毕业，获得第二届《龙魂杯》网络文学大赛现代诗歌类一等奖、第一届诗酒文化大会现代诗优秀奖，中国现代作家协会会员，中国铁路作家协会会员，中国诗歌网新疆频道副站长。

2、旗袍秀

柔情似水小蛮腰，

风韵无边步态摇。

垂柳摆条轻似舞，

疑猜瑶殿女飘飘。

作者梁锡涛，黑龙江省鸡西市高中物理教师。

3、尤物——颂旗袍走秀《荷塘月色》

从春到秋，
没有一首诗歌，
能形容出，
这般的美艳。

瑶池中那一株株盛开的莲，
只因一缕尘缘，
婀娜飘落，
充满情爱的人间。

一支谣曲响起，
寻香而至的蝴蝶共翩跹，
上，故事经典，
下，烟雨江南。

四周无数闪烁的目光，
比夏日更火热，
心内奔跑的激情，
瞬间雷鸣爆发。

而我终于看见了传说中的，
月光溅落，
银河奔流。

作者冯亚娟，笔名千纸鹤，女，1976年10月出生，辽宁省作协会员，营口市作协会员。诗歌发表于《诗潮》《海燕》《阳光》《中国诗影响》《诗意人生》《天津诗人》《四川诗歌》《辽宁诗界》，《辽河》《香稻诗报》等多家文学杂志报刊。在全国各省、市级诗歌比赛中偶有获奖。

4、旗袍

石库门，一条老弄堂，
楼上有胭脂花匝地而落，
女子的背影投在斑驳的幕墙上，
画一样安宁。

她们说，
那走过青石路面的女子就是你，
锦缎的光泽忽隐忽现，
仿佛一抬腿，就触及一个女人，
柔软的灵魂。

滚边、立领、小盘扣，
曾经的绝色风华隐在流年中，
却终留不住婉约的梦。

六十多年了，她每天，
依然是小轩窗，正梳妆，
一卷线书，一阙宋词，一袭暗香
都跌落在相思的枯井中。

找一块橡皮，擦掉乡愁，
用一方徽砚代替素描的铅笔，
忘掉那些誓言：雪落时，
便劫了你，和你，
九月的酒窝。

作者筱米（庄筱濛），蒙古族，土默特左旗人，客居广东。内蒙古作家协会会员，内蒙古诗词学会会员，阴山作家网主编，中国诗歌网认证诗人。作品见《辽河》，《山风》，《水仙花诗刊》，《土默川》，《大西北诗人》，《大楚文学》，梅州日报，南方周末及各类网络平台。

5、旗袍

一袭青花瓷，
与三月的毛毛雨和韵，
就是烟雨朦胧的江南。

两只黄鹂鸟，
为湖畔的细柳传情，
就是碧波荡漾的江南。

竹篙在乌篷船头咿呀一声，
民国就从芦苇荡里划过来，
商末的绸缎，
从老字号布庄抛一个媚眼，
隋唐的公子就打马而来，
上弦月下又多出一对恋人。

发髻高高挽起清晨，
心思缜密的盘扣，
勾画出闺阁女子的曲线。

高跟鞋，
早已印证乌衣巷的幽深，
旗袍的裙裾，
迷离了水乡最后一抹黄昏。

吴歌，原名：吴德传。祖籍河南省信阳市人，现在广州经营一家服装公司。
定居广州。
自九十年代开始诗歌创作，诗歌作品先后发表于《诗选刊》、《延河》、《山东诗人》、《世界汉诗》等各类纸刊。

诗歌作品曾获《诗选刊》杂志社“中国诗歌网杯”美丽河北，名村古镇”诗歌大奖赛三等奖。第二届“梦.乌镇”诗歌大奖赛提名奖。

❷ 邀请函关于民族服装展的英语作文

旗袍是从满族古老的服装演变而来的.旗袍,满语称"衣介".古时泛指满洲、蒙古、汉军八旗男女穿的衣袍.
清初（公元1644年-公元1911年）衣袍式样有几大特点：无领、箭袖、左衽、四开衩、束腰.箭袖,是窄袖口,上加一块半圆形袖头,形似马蹄,又称"马蹄袖".马蹄袖平日绾起,出猎作战时则放下,覆盖手背,冬季可御寒.四开衩,即袍下摆前后左右,开衩至膝．左衽和束腰,紧身保暖,腰带一束,行猎时,可将干粮,用具装进前襟.男子的长袍多是蓝,灰、青色,女子的旗装多为白色． 满族旗袍还有一个特点,就是在旗袍外套上坎肩.坎肩有对襟、捻襟、琵琶襟、一字襟等.穿上坎肩骑马驰聘显得十分精干利索.
清世祖入关,迁都北京,旗袍开始在中原流行.清统一中国,也统一全国服饰,男人穿长袍马褂,女人穿旗袍.以后,随着满汉生活的融合,统一,旗袍不仅被汉族妇女吸收,并不断进行革新.特别随着辛亥革命的风云,旗袍迅速在全国普及.
自30年代起,旗袍几乎成了中国妇女的标准服装,民间妇女、学生、工人、达官显贵的太太,无不穿着.旗袍甚至成了交际场合和外交活动的礼服.后来,旗袍还传至国外,为他国女子效仿穿着. 至20世纪30年代,满族男女都穿直统式的宽襟大袖长袍.女性旗袍下摆至（骨干）(小腿),有绣花卉纹饰.男性旗袍下摆及踝,无纹饰.
40年代后,受国内外新式服饰新潮的冲击,满族男性旗袍已废弃,女性旗袍由宽袖变窄袖,直筒变紧身贴腰,臀部略大,下摆回收,长及踝,逐渐形成今日各色各样讲究色彩装饰和人体线条美的旗袍样式.
汉族妇女为啥喜爱穿旗袍?主要旗袍的造型与妇女的体态相适合,线条简便,优美大方,所以,有人认为旗袍是中国女人独有的福音,可起到彩云托月的作用.而且,旗袍是老少宜穿,四季相宜,雅俗共赏. 根据季节的变化和穿着者的不同需要、爱好,可长可短,可做单旗袍、夹旗袍；也可做衬绒短袍、丝棉旗袍.并且,随着选料不同,可展现出不同风格.选用小花、素格、细条丝绸制作,可显示出温和、稳重的风韵；选用织锦类衣料制作,可当迎宾、赴宴的华贵眼饰.
当中国旗袍在日本、法国等地展销时,很受当地妇女人士欢迎,她们不借重金,争购旗袍,特别是黑丝绒夹金花、篓金花的高档旗袍,最为抢手.旗袍正以浓郁的民族风格,体现了中华民族传统的服饰美.它不仅成为中国女装的代表,同时也公认为东方传统女装的象征.

Chinese Cheongsam

The cheongsam, or Qipao in Chinese, is evolved from a kind of ancient clothing of Manchu ethnic minority. In ancient times, it generally referred to long gowns worn by the people of Manchuria, Mongolia and the Eight-Banner.
In the early years of the Qing Dynasty (1644-1911), long gowns featured collarless, narrow cuff in the shape of a horse's hoof, buttons down the left front, four slits and a fitting waist. Wearers usually coiled up their cuff, and put it down when hunting or battling to cover the back of hand. In winter, the cuff could serve to prevent cold. The gown had four slits, with one on the left, right, front and back, which reached the knees. It was fitted to the body and rather warm. Fastened with a waistband, the long gown could hold solid food and utensils when people went out hunting. Men's long gowns were mostly blue, gray or green; and women's, white.
Another feature of Manchu cheongsam was that people generally wore it plus a waistcoat that was either with buttons down the front, a twisted front, or a front in the shape of lute, etc.
When the early Manchu rulers came to China proper, they moved their capital to Beijing and cheongsam began to spread in the Central Plains. The Qing Dynasty unified China, and unified the nationwide costume as well. At that time, men wore a long gown and a mandarin jacket over the gown, while women wore cheongsam. Although the 1911 Revolution toppled the rule of the Qing (Manchu) Dynasty, the female dress survived the political change and, with succeeding improvements, has become the traditional dress for Chinese women.
Till the 1930s, Manchu people, no matter male or female, all wore loose-fitting and straight-bottomed broad-sleeved long gowns with a wide front. The lower hem of women's cheongsam reached the calves with embroidered flower patterns on it, while that of men's cheongsam reached the ankles and had no decorative patterns.
From the 1930s, cheongsam almost became the uniform for women. Folk women, students, workers and highest-tone women all dressed themselves in cheongsam, which even became a formal suit for occasions of social intercourses or diplomatic activities. Later, cheongsam even spread to foreign countries and became the favorite of foreign females.
After the 1940s, influenced by new fashion home and abroad, Manchu men's cheongsam was phased out, while women's cheongsam became narrow-sleeved and fitted to the waist and had a relatively loose hip part, and its lower hem reached the ankles. Then there emerge various forms of cheongsams we see today that emphasize color decoration and set off the beauty of the female shape.
Why do Han people like to wear the cheongsam? The main reason is that it fits well the female Chinese figure, has simple lines and looks elegant. What's more, it is suitable for wearing in all seasons by old and young.
The cheongsam can either be long or short, unlined or interlined, woolen or made of silk floss. Besides, with different materials, the cheongsam presents different styles. Cheongsams made of silk with patterns of flowerlet, plain lattices or thin lines demonstrate charm of femininity and staidness; those made of brocade are eye-catching and magnificent and suitable for occasions of greeting guests and attending banquets.
When Chinese cheongsams were exhibited for sales in countries like Japan and France, they received warm welcome from local women, who did not hesitate to buy Chinese cheongsams especially those top-notch ones made of black velour interlined with or carved with golden flowers. Cheongsam features strong national flavor and embodies beauty of Chinese traditional costume. It not only represents Chinese female costume but also becomes a symbol of the oriental traditional costume.

❸ 收到了第四届的中华情诗歌散文大赛的颁奖的邀请函，但官网没看到我的诗歌及名字，此活动是虚假的吗

要银子哦，我得了一等奖，没去。路程远，西宁。

❹ 学校举办歌舞大赛邀请书怎么写，格式已懂，内容不会写

1邀请函的内容和格式。

写上“邀”字，艺术字体或手写的封面，通常有装饰图案。顶格的兴起，应邀撰写了整个组织，如个人邀请应表明自己的姓名和职务，职称。文本指示邀请的主题举行的时间，地点和一些问题要做到心中有数。写礼貌用语的结尾。如“请访问我们的”，“盛情邀请参加”，也可以写“此致，敬礼”等字样。落款处的明全名或受邀者的姓名，并发出邀请函时部的邀请，如果邀请的组织出面，但也盖公章。

2，书写和使用邀请礼仪。

写邀请函，字迹要工整，漂亮，大方;邀请函内容必须清晰，准确，简明的文字邀请到优雅得体，谦逊的语气婉转的措辞。要提前发出邀请函一周到10天，会发生意想不到的变化后，如果发出的邀请函，要及时发出了邀请，取消或更改计划的活动，主要邀请的范围。不发，延迟或出血，不作为，已经失去了礼貌。

❺ 本人比赛旗袍获奖感谢旗袍老师的美丽词语

衷心感谢老师为我量身打造的这几款，展现我美妙身材的靓丽旗袍，我的成功，是建立老师的心血之上的，一杯薄酒，献给敬爱的老师，一切尽在不言中，谢谢老师!